Güzel Sanatlar Tasarım ve Mimarlık Fakültesi / Faculty of Fine Arts, Design and Architecture

Permanent URI for this collectionhttps://hdl.handle.net/11727/1397

Browse

Filters

20232

Settings

Subject: search.filters.subject.interior space

Search Results

Now showing 1 - 2 of 2
  • No Thumbnail Available
    Item
    Transience and the Modern Turkish Interior
    (2023) Hasirci, Deniz; Ultav, Zeynep Tuna; Sumnu, Umut; AAC-5579-2020
    Despite the expansion of research in modern interiors around the world and a more inclusive dialogue with regards to geography, ultimately, the field is still lacking theory and methods derived from its own specific needs rather than being adapted from architectural research, and a focus on its transient nature that is likely to lead to more impactful research and preservation results. Modern Turkish interiors research have also expanded greatly with individual, as well as projects or research groups like docomomo_tr interiors and DATUMM (Documenting and Archiving Modern Turkish Furniture) that create awareness through various forms of scholarly (documentaries, archival work) and popular (public exhibitions, popular books and magazines, newspaper pieces, and films) interiors research and several struggles are common worldwide, socio-cultural and economic reasons result in a faster pace in Turkey, creating an urgency to implement innovative methods and approaches fitting contemporary prerequisites of the field.
  • No Thumbnail Available
    Item
    Prospective Aspect of Topography: The Example of the Grand Bazaar (Kapali Carsi) in Istanbul
    (2023) Demirel, Emre; Goudarzi, Soufi Moazemi; 0000-0002-9367-2249
    The Grand Bazaar was constructed, there have been significant changes in shopping practices. Particularly the spread of Global trade boosted the opening of new shopping centres, high-street department stores and shopping malls. Despite all these changes in shopping habits, the Grand Bazaar still continues to be an actively used shopping area; it has never lost its customer interest and its socially vivid atmosphere. This research explores the reasons why the Grand Bazaar has not been lost its social dynamism over the course of time? This question has various answers, but this research argues that one of them is particularly related to its peculiar spatial formation that encourages social interactions. In this account; this research methodologically focuses on two main components, these are: how the Grand Bazaar was spatially constructed and how it was experienced by users. These purposes will be accomplished by the analyses of the writings and drawings of the important Western travellers. It is revealed that articulated in topographical account, the Grand Bazaar eliminates the boundaries between the spaces and thus between the people. This continually enhances the mutual relationships between inside and outside. This study focuses on the main interest of the topographic approach which is not much the representative qualities; re-expression of the exterior appearance of the building in shape and profile or any stylistic display, but it is more to create an open venue or a stage which enhances the spatial and social connectivity between interior and exterior worlds, ergo between individual and collective lives. As a result, the study demonstrates how the Grand Bazaar's topographical attitude lends a 'formative' aspect to an architectural context. The Grand Bazaar tries to abolish borders by emphasizing topographical aspects such as permeability, spatiality, and delay in order to create an in-between environment, and also a common social ground.