Shakespeare, Performance, and the Psychology of Adaptation in George Cukor's A Double Life (1947)
| dc.contributor.author | Raw, Laurence | |
| dc.date.accessioned | 2023-07-21T09:19:56Z | |
| dc.date.available | 2023-07-21T09:19:56Z | |
| dc.date.issued | 2016 | |
| dc.identifier.endpage | 59 | en_US |
| dc.identifier.issn | 0090-4260 | en_US |
| dc.identifier.issue | 1 | en_US |
| dc.identifier.startpage | 48 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11727/10043 | |
| dc.identifier.volume | 44 | en_US |
| dc.identifier.wos | 000371752300005 | en_US |
| dc.language.iso | eng | en_US |
| dc.relation.journal | LITERATURE-FILM QUARTERLY | en_US |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.title | Shakespeare, Performance, and the Psychology of Adaptation in George Cukor's A Double Life (1947) | en_US |
| dc.type | Article | en_US |
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