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Browsing by Author "Sarikaya Sen, Merve"

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    Building Resilience and Interconnectedness among Humans and Nonhuman Entities: Aminatta Forna's Happiness
    (2021) Sarikaya Sen, Merve; 0000-0003-2091-2536
    Using the theoretical tools provided by the conceptualisations of resilience and interconnectedness, this article carries out a comprehensive analysis of Aminatta Forna's Happiness (2008). The starting hypothesis explored in this article is that Happiness represents the transformational process of suffering and/or psychological wounds through the reparative agency of interconnectedness among humans as well as between humans and animals. Accordingly, this article will first demonstrate how the novel represents the possibility of healing one's psychological wounds through the stories of Attila and Jean, the two protagonists falling in love after a chance encounter. It will then explore how the novel presents the necessity of establishing relationality between the self and the other in coping with adversities. Finally, it will elaborate on the indispensable coexistence between humans and animals in the novel, which provides the characters with the possibility for achieving the ecological self. In doing so, this article will demonstrate that Happiness succeeds in representing the need for an interdependent world and the impossibility of a sovereign self in order to achieve happiness in the contemporary age.
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    Contemporary Trauma Narratives: Liminality and the Ethics of Form
    (2018) Sarikaya Sen, Merve; 0000-0003-2091-2536; AEG-2545-2022
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    Diversity, Singularity, Reenchantment and Relationality in a Transmodern World Arundhati Roy's The Ministry of Utmost Happiness
    (2020) Sarikaya Sen, Merve; 0000-0003-2091-2536; AEG-2545-2022
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    Introduction. Contemporary Literature in Times of Crisis and Vulnerability: Trauma, Demise of Sovereignty and Interconnectedness
    (2021) Pellicer Ortin, Silvia; Sarikaya Sen, Merve; 0000-0003-2091-2536
    The late twentieth and early twenty-first centuries have been dominated by multifarious crises that have given way to individual and collective wounds resulting from environmental disasters, exile and migratory movements, war, terrorism, radicalism and other disturbing historical episodes. Our main contention is that trauma and/or excessive exposure to vulnerable situations can be relieved thanks to diverse narrative practices. Accordingly, we explore the field of Trauma Studies since its emergence to its current evolution towards the vulnerability paradigm, examining the different meanings of vulnerability not only from the perspective of the life sciences but also from the social sciences and its application to the humanities. Then, we move on to the notion of resilience and how it can help us articulate and/or move beyond trauma and vulnerability. In keeping with this, considering the ethical and political relationality between the self and other, we highlight one's tendency to be affected by the other's wounds and vulnerability as well as the inevitability of interdependency and interconnectedness between people and non-human entities. Thus, we explore the role of literature in giving voice to the voiceless and to unheard experiences of suffering as well as in representing the demise of the sovereign self and the rise of human and non-human interconnectedness after being exposed to traumatic or disastrous events, as represented in contemporary literatures in English.
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    The Representation of Trauma and Trauma Coping Strategies in Grace Nichols's I is a Long Memoried Woman
    (2017) Sarikaya Sen, Merve; 0000-0003-2091-2536; AEG-2545-2022
    Using the historical background of the Middle Passage and slavery and drawing on the tools provided by trauma studies, this study carries out a comprehensive analysis of Grace Nichols's I is a Long Memoried Woman (1983). The starting hypothesis explored in this study is that I is a Long Memoried Woman represents traumatic experiences of the Middle Passage and slavery as well as trauma coping strategies adopted by Afro-Caribbean slaves, especially black slave women. Accordingly, this study first delves into four main trauma representation strategies in I is a Long Memoried Woman: repression, haunting, repetition and traumatic pastoral. It then explores the representation of trauma coping strategies adopted by Afro-Caribbean peoples: return to religion and spirituality, dissociation, escape through imagination and revenge fantasies. In doing so, this study demonstrates that there is a possibility for trauma victims such as Afro-Caribbean peoples to heal their wounds and move on as represented in I is a Long Memoried Woman.

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